About the Natural Collection
The wigs in the Natural Collection are crafted using hair sourced exclusively from Eastern European countries. Each ponytail is personally selected by me before being sent to the factory in China, where the wigs are carefully created.
Depending on how much hair is in each ponytail, some wigs are made from a single donor, while others are created using hair from multiple donors. This process allows each wig to maintain a natural appearance while making the best use of every unique ponytail.
An important detail to note is that the hair used in this collection is naturally wavy or curly—it is not permed or chemically altered to create texture. What you see is the hair’s natural movement and pattern.
Hair Texture
The hair used in this collection comes in several textures, each with its own characteristics:
Slavic texture
Very fine and lightweight, Slavic hair tends to dry with some frizz. Most of it is naturally wavy or even curly, giving it a soft and airy look.
European texture
Also fine and lightweight, European hair dries with little to no frizz. It can be straight, wavy, or curly, making it extremely versatile and easy to wear.
Brazilian texture
This texture is less common than the others. It is medium-coarse and dries with no frizz at all, making it ideal for those who want a consistently polished look.
Wigs made with Slavic and European hair are incredibly natural and lightweight—you can barely feel them on your head. If your goal is for no one to ever suspect you’re wearing a wig, these textures are the perfect choice.
If you prefer a wig that always looks flawless, doesn’t get frizzy, and holds waves for days, Brazilian hair is the way to go. It delivers a smooth, long-lasting finish that won’t disappoint.
Density
I’ve struggled with thin hair my entire life, so for me, high-density wigs can feel unnatural. My goal is always to create wigs that look as real as possible, and density plays a huge role in achieving that.
At the same time, wig construction must be taken into consideration. A wig needs enough density to properly cover the cap, even if the overall look is kept light and natural.
On the top, I prefer a medium density—around 120–130%. This is enough to avoid an unnatural, heavy look, but not so low that bio hair becomes visible under the lace. It also helps prevent silicone tape edges from showing through the lace and hair. I always aim for a careful balance between realism and functionality.
On the sides and back, I keep the density as low as possible. Around 100% feels ideal, creating a natural fall without unnecessary bulk.
It’s also important to remember that hair texture affects how density is perceived. Fine hair will always give the impression of lower density, even when enough hair is present for proper coverage.